{"id":529,"date":"2022-11-05T12:56:56","date_gmt":"2022-11-05T16:56:56","guid":{"rendered":"https:\/\/audiosalvageproject.online\/main\/?p=529"},"modified":"2022-11-05T12:56:56","modified_gmt":"2022-11-05T16:56:56","slug":"the-zombies-odessey-and-oracle-1968-full-stereo-remix","status":"publish","type":"post","link":"https:\/\/audiosalvageproject.online\/main\/2022\/11\/05\/the-zombies-odessey-and-oracle-1968-full-stereo-remix\/","title":{"rendered":"The Zombies &#8211; Odessey And Oracle (1968) &#8211; Full Stereo Remix"},"content":{"rendered":"<p><iframe loading=\"lazy\" title=\"O&amp;OREMIX.mp4\" src=\"https:\/\/player.vimeo.com\/video\/767611126?dnt=1&amp;app_id=122963\" width=\"640\" height=\"480\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/p>\n<p><em><strong>A little history, shamelessly stolen from Wikipedia:<\/strong><\/em><\/p>\n<p>Rod Argent and Chris White mixed the album down into mono, but when they delivered the master to CBS, they were informed that a stereo mix was required. The recording budget having been spent, Argent and White used their own money to pay for the stereo mix. One major problem arose when it came time to mix &#8220;This Will Be Our Year&#8221; into stereo. Record producer Ken Jones had dubbed live horn parts directly onto the mono mix. With the horns not having been recorded on the multi-track beforehand, a &#8220;re-channeled&#8221; stereo mix had to be made of the mono master of this track. The stereo album mix was completed on 1 January 1968.<\/p>\n<p><em><strong>My Comments:<\/strong><\/em><\/p>\n<p>The easiest way for me to start this post is: <em>&#8220;If Chris White would let someone have the master multi-track tapes for 3 hours&#8230; this project wouldn&#8217;t have been necessary&#8221;.<\/em> You see, Chris has all the multi-tracks. He&#8217;s held tightly to them since 1968.\u00a0 Over the years, the original mixdown tape has been used for &#8220;remasters&#8221;&#8230; with results that I, frankly, have never liked&#8230; because the mixdown, itself&#8230; always sounded marred, and by the time companies like Rhino Records got ahold of it&#8230; there were dropouts in several tracks (&#8220;Maybe After He&#8217;s Gone&#8221;, &#8220;Changes&#8221;). The mixdown was also either extremely compressed or recorded at a very high level. The EMI sessions used the same Studer four track machine used on Sgt. Pepper&#8217;s Lonely Hearts Club Band. The tracks that were done at Olympic Studios were recorded on Ampex tape machines &#8211; a pair of 4-tracks, a single 2-track, and a 1-track for mono mixdowns, which is why &#8220;Beechwood Park&#8221;, &#8220;Maybe After He&#8217;s Gone&#8221; and &#8220;I Want Her, She Wants Me&#8221; has a higher noise level (HISSSSSSSSSSSSSS!) than their Studer counterparts, which were considerably more quiet.<\/p>\n<p><em><strong>My Remix:<\/strong><\/em><\/p>\n<p>For the bulk of the material&#8230; I used RipX DeepRemix, iZotope RX 9 and 10, Dynamic Decompression by Divergent Audio, Adobe Audition and Spectral Recovery Systems (SRS).\u00a0 On many of the tracks, much of the instruments were in mono, while the vocals and perhaps Mellotron were in the stereo spectrum very clearly. This is a telltale sign that there were quite a few bouncedowns or &#8220;reductions&#8221; in order to free up additional tracks. Another indication would be the signal-to-noise ratio, which was incredibly bad.\u00a0 So the whole idea was to separate all the instruments into stems, clean and re-equalize them as much as possible and create a mix that had more depth.<\/p>\n<p><em><strong>Track Listing<\/strong><\/em><\/p>\n<p>1. &#8220;Care of Cell 44&#8221;<br \/>\n2. &#8220;A Rose for Emily&#8221;<br \/>\n3. &#8220;Maybe After He&#8217;s Gone&#8221;<br \/>\n4. &#8220;Beechwood Park&#8221;<br \/>\n5. &#8220;Brief Candles&#8221;<br \/>\n6. &#8220;Hung Up on a Dream&#8221;<br \/>\n7. &#8220;Changes&#8221;<br \/>\n8. &#8220;I Want Her, She Wants Me&#8221;<br \/>\n9. &#8220;This Will Be Our Year&#8221;<br \/>\n10. &#8220;Butcher&#8217;s Tale (Western Front 1914)&#8221;<br \/>\n11. &#8220;Friends of Mine&#8221;<br \/>\n12. &#8220;Time of the Season&#8221;<br \/>\n<strong>Total length: 35:18<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><em><strong>Downloads:<\/strong><\/em><\/p>\n<p>MP3<div class=\"lana-download-shortcode\"><p><a class=\"btn btn-primary lana-download\" href=\"https:\/\/audiosalvageproject.online\/main\/download\/535\/\" role=\"button\">Download <span class=\"badge\">75<\/span><\/a><\/p><\/div><\/p>\n<p>FLAC<div class=\"lana-download-shortcode\"><p><a class=\"btn btn-primary lana-download\" href=\"https:\/\/audiosalvageproject.online\/main\/download\/534\/\" role=\"button\">Download <span class=\"badge\">66<\/span><\/a><\/p><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A little history, shamelessly stolen from Wikipedia: Rod Argent and Chris White mixed the album down into mono,<\/p>\n","protected":false},"author":1,"featured_media":531,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,9,8],"tags":[],"class_list":["post-529","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-audio-restoration","category-in-the-studio","category-remix-projects"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Zombies - Odessey And Oracle (1968) - Full Stereo Remix - Audio Salvage Project<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/audiosalvageproject.online\/main\/2022\/11\/05\/the-zombies-odessey-and-oracle-1968-full-stereo-remix\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Zombies - Odessey And Oracle (1968) - Full Stereo Remix - Audio Salvage Project\" \/>\n<meta property=\"og:description\" content=\"A little history, shamelessly stolen from Wikipedia: Rod Argent and Chris White mixed the album down into mono,\" \/>\n<meta property=\"og:url\" content=\"https:\/\/audiosalvageproject.online\/main\/2022\/11\/05\/the-zombies-odessey-and-oracle-1968-full-stereo-remix\/\" \/>\n<meta property=\"og:site_name\" content=\"Audio Salvage Project\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/DavidROrwig\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/DavidROrwig\" \/>\n<meta property=\"article:published_time\" content=\"2022-11-05T16:56:56+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/audiosalvageproject.online\/main\/wp-content\/uploads\/2022\/11\/vinyl-the-zombies-odessey-oracle-2022-craft-editio66667777.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1652\" \/>\n\t<meta property=\"og:image:height\" content=\"1652\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"David\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"David\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/audiosalvageproject.online\/main\/2022\/11\/05\/the-zombies-odessey-and-oracle-1968-full-stereo-remix\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/audiosalvageproject.online\/main\/2022\/11\/05\/the-zombies-odessey-and-oracle-1968-full-stereo-remix\/\"},\"author\":{\"name\":\"David\",\"@id\":\"https:\/\/audiosalvageproject.online\/main\/#\/schema\/person\/a22f6c2d59141e61a583bfaf82100a78\"},\"headline\":\"The Zombies &#8211; 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